While his jazz journey has taken him down many roads – from heritage artist to electric experimenter – the 34-year-old trumpeter arrives at a new plateau of jazz maturity with Into the Blue, his ninth album and his first for Nonesuch. It’s at once a nod to the past and a leap into the future. “It’s an amalgam of every recording I’ve done up until now,” says Payton. “As a musician, as an artist, you’re always trying to zero in on the bull’s eye as a means of becoming a better version of yourself. With Into the Blue, I’ve been able to find the kind of music that’s more inclusive of all of my life. The approach and the ideas of my music have become more singular, more cohesive. I had no agenda in terms of a specific genre or style, only to be true to who I am now.”

Into the Blue is a collection of ten tunes steeped in melody and groove that Payton says “embodies the sensibilities of beauty, elegance and simplicity” and delivers “danceable tempos.” He adds, “The true staples of jazz for me—the hallmarks of the music throughout its history – are love songs and the element of dance.” In addition to seven originals that range from the funky upbeat to the melancholic slow burn, the album includes two tunes by the trumpeter’s bassist/composer father, Walter Payton (the opening love song written for his wife, “Drucilla,” and his walking bass line-driven “Nida,” a celebration of his two sons, Nicholas and Dario) and a cover of the Jerry Goldsmith song “Chinatown,” from the movie of the same name. Joining Payton, who also sings on the hushed ballad, “Blue,” are acoustic and Fender Rhodes pianist Kevin Hays, acoustic bassist Vincent Archer, drummer Marcus Gilmore and percussionist Daniel Sadownick